2009年1月30日星期五

华丽上班族 《生活与生存》

转载自这里


生存需要聪明,生活需要智慧。一名传闻将被篡位的女老板,与12个穿著华丽的上班族,为了争夺一个可以鸟瞰整个城市的位置,尽出奇谋……事业的台风、爱情的地震、财富的海啸,在生存的边缘优雅地讨论生活,到底谁是最后的赢家?

金马影后张艾嘉将演绎现代城市人面对生活与生存的无数考验与矛盾。 香港鬼才导演林奕华继2008年带来了构思大胆、手法新颖的现代版《水浒传》后,这次将从现代职场男女角度出发,看办公室的男人如何看女人,而女人又看见怎样的自己,再一次展现林奕华对城市生活的独特解读与想像。

与张艾嘉同台演出的还有首次演出舞台剧的台湾偶像剧《恶作剧之吻》的超人气偶像郑元畅,以及爆笑千面型男王耀庆等;鬼才影后明星偶像联手探索城市风尚,展示一幅华丽的城市蓝图新风貌。

欲知更多详情,请浏览
http://www.huayifestival.com/


DATE 30 JAN 2009, FRI - 31 JAN 2009, SAT

TIME 2.30pm & 8pm


30 Jan 09, Fri, 8pm
31 Jan 09, Sat, 2.30pm & 8pm
(200mins, including 20min intermission. In Mandarin with English subtitles)
(时长约200分钟,包括20分钟中场休息。华语演出,附英文字幕)

地点: 滨海艺术中心

2009年1月23日星期五

华语剧场发生了什么事?(延续)

2008年11月8日,戏剧盒主办的研讨会:华语剧场发生了什么事?


研讨会由黄浩威主持,几位知名的本地华语剧场工作者:

郭庆亮(戏剧盒艺术总监)、
柯思仁(南洋理工大学中文系副教授)、
周文龙(联合早报记者)、
韩劳达(新加坡剧作家,相声作家),

通过自身经历,和观众一起探讨现今华语剧场的处境。


这里贴上关于这个讨论会的延续:艺树人的网页上,上载了本地名人杨君伟与记者周文龙上RazorTV讨论这项课题的录影~


http://artivate.blogspot.com/2008/11/blog-post_20.html

2009年1月16日星期五

Dua Dai Ji《大歹紀》賀歲猛騙





恭喜發財來看戲!
19-22th Feb 2009
Old Parliament Road
The Arts House

2009年1月12日星期一

Singapore Fringe Festival 2009


http://www.singaporefringe.com/

有许多不同的,好看的节目正等着大家去看呢



2009年1月7日星期三

《大歹纪》

杨君伟在部落格上如此介绍





《大歹纪》售票了!


新加坡独一无二的华语嘲讽型新闻剧场再次登上主播台为你播报独假新闻!这次,他们在旧国会大厦要和你一起当政府!李邪、郑光辉、许慧铃、吴惜爱、谢心仪精心炮制!


http://www.theartshouse.com.sg/event_details_2008.php?id=903


看上去就是一部好玩好笑的戏呢!

地点: 议事厅 @ 旧国会大厦Venue: The Arts House, Old Parliament Lane

19 & 20 Feb 8pm21 & 22 Feb 3pm, 8pmFull-price: $20 (Upper Chamber), $25 (Lower Chamber)Special discount*: $18 (Upper Chamber), $23 (Lower Chamber)*For Drama Box Mailing List Students, Senior Citizens & NS men

Tickets may be purchased in the following ways:

OVER THE COUNTER: The Arts House Box office1 Old Parliament LaneSingapore 179429

BY PHONE:The Arts House Ticket Hotline: (+65) 6332 6919

FOR ONLINE BOOKING:
http://www.theartshouse.com.sg/event_details_2008.php?id=903



谁要去看?

2008年12月30日星期二

康熙来了- 宝岛一村

上载在这儿的是“五部曲”的第二部:




这一期,请来了王伟忠、黄仲昆、赖声川、郎祖筠、时一修、刘美钰,上《康熙来了》,聊《宝岛一村》。

你买票了吗?

NTU Epiphany Drama Workshops

From: Cornelius Anthony Murphy (Assoc Prof)
Sent: Mon 12/29/2008 5:31 PM
To: Undergrad (Full Time) Students
Subject: FW: NTU Epiphany Drama Workshops Are Now Open For Registration!




Hi all, -- sent on behalf of Epiphany (please do not reply to this mail – but to the contact person in the flyer)









* * * * * * * * * * * * *



If you have EVER been captivated by the magic of theatre...

Epiphany is giving YOU the opportunity to let your inner actor/actress free!



This year, the Epiphany - English and Drama Society is pleased to bring you a series of free drama workshops as part of the Nanyang Literary Festival 2009!



Held on the 17th & 18th of February 2009, at the Nanyang Playhouse Rehearsal Room, from 6 p.m. to 8 p.m., these series of drama workshops are open to anybody who is interested in developing and honing their skills and theatrical techniques for use in both practical and serious theatre.



Over these two days, you will learn:

17th February 2009 – Session #1

Introduction to Theatre


This is a practical introduction to theatre and it covers the theatrical techniques employed by Konstantin Stanislavski (Method Acting) and Bertolt Brecht (Alienation Effects) in a taster session. Participants will also be dealing with body movement and speech in these two theatrical styles in order to gain the full benefit of these two historical styles of drama. At the end of the session, participants would have gained the ability to negotiate body movement with speech with regards to these two styles of theatre.

18th February 2009 – Session #2

Introduction to Physical Theatre

This session is crucial to the thespian because it further develops the Stanislavski and Brechtian method of acting while employing Rudolf Laban's and Imgrad Barteneiff's Human Body Movement techniques to negotiate acting styles. Participants will be given a chance to experiment with their body movements in order to obtain a flow of movement involved in physicalizing their scripts. The highlight of the session will be an introduction to Theatrical Alchemy. At the end of the session, participants would be successful in negotiating their bodies with their intentions and performing their scripts with flow.

The workshops are prepared with materials and notes so that the participants can further practice what they have learnt in the workshops with their respective theatre troupes or even in their practical theatre courses in school or otherwise.

However, the notes provided are to be in no way reproduced, disseminated, or given to a large group or company of people to which they do not rightfully belong without the prior permission of their authors.

For more details on how to sign up for this free and enlightening workshop, refer to the attached poster!



Remember! Places are being grabbed up as you read this, so sign up quickly to avoid disappointment!